A Film Fashion Series:
Fashion styled by Alison Carrelli
Makeup by KariLu
A Film Series:
A Focus On Infinity
Film study series:
Model test shoot
Artist Portrait Series:
Bern Helmet Collaboration
w/ Mr. Sea
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A Film Study Series: (Laena)
FASHIONABLE
FLAPPER...
Look II
Look III
A Film Study Series:Model Test shoot
(Annette Olsen)
Natural Lighting
Studio Lighting
Photo Documentary:
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Film study series:
SVANH(Portrait)
Camera: Nikon F4
Film: Kodak 200 Gold
Film study series:
Model test shoot
(JNet)
A Creative Film Portrait Series:
" A_Muse"
A Creative Film Portrait Series:
(Camera)~ Mamiya C330 Twin-Lens (Film)~ Kodak E100VS |
(Camera)~ Mamiya C330 Twin-Lens (Film)~ Kodak E100VS |
A film Study series:
Shapes Shape World
(Sneak Peek)
Interior Landscape Series
Camera: Mamiya RZ67 Film: Fuji Pro160S~ expired |
Camera:Mamiya RZ67 Film:Kodak PHR~ expired |
Camera:Mamiya RZ67 Film:Kodak EPN (x-process)~expired |
Camera:Mamiya RZ67 Film: Ilford Delta 3200 |
Color Theory
A take on the absolute NORMAL...
The Depth of Aperture...
Composition is a Constant...
When shooting always try and compose the scene in the camera while looking through the view finder. Consider the individual elements that make up the scene. The positioning of things in or out of the frame can either make or break your image.
"Construct" Year: ? Location: L.A. area Type: B&W Film (35mm) Nikon F4 |
"Ghost trim" Year: 2006 Location: Barber Shop Type: B&W Film ( 35mm) Camera: Canon EOS-1 |
Work with natural reflections to compose a scene. Consider composing with reflections to show areas that are otherwise outside of the scene.
The Folly of Film
Year: 2005
Location: Canoga Park HS
Type: B&W Film (35mm)
There was no intent for these photos other then to photograph my surroundings. This was taken at a time when I just began to try and conceptualize the world around me in black and white. Its quite hard to have an image or idea in your head trying to imagine how the image will be exposed before even taking the shot. Whats one of the most photographed things? Simple, the sky. When taking a shot outside on location somewhere the sky just can't be avoided in many cases. Its best working with your surroundings. Its very displeasing when shooting in B&W to have a all white over-exposed sky. When the sky is blown out in photos it leaves empty spaces with little or no detail with nothing to look at. Having a correctly exposed sky is much more pleasing to the eye. Having tonality throughout a B&W image gives the image more contrast. This can be achieved in many ways, but the most important thing is to consider the exposure of the sky when shooting....
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